dinocology:

astrodidact:

Teenager from India invents device that can convert breath to speech
A high school student from India has invented a device that can convert a person’s breath into speech, to give millions of people around the world suffering from speech impediment a ‘voice’ for the first time.
Sixteen-year-old Arsh Shah Dilbagi has developed a new technology called ‘TALK’, which is a cheap and portable device to help people who are physically incapable of speaking express themselves. Right now, 1.4 percent of the world’s population has very limited or no speech, due to conditions such as Amyotrophic lateral sclerosis (ALS), locked-in syndrome (LIS), Encephalopathy (SEM), Parkinson’s disease, and paralysis.
http://www.sciencealert.com.au/news/20141509-26176.html

His name is Arsh Shah Dilbagi and he’s 16 years old. Gettin tired of sensationalized “mystery baby from a country where people are brown does a science thing!” articles. Use peoples names, don’t act so surprised when people of color are geniuses.

dinocology:

astrodidact:

Teenager from India invents device that can convert breath to speech

A high school student from India has invented a device that can convert a person’s breath into speech, to give millions of people around the world suffering from speech impediment a ‘voice’ for the first time.

Sixteen-year-old Arsh Shah Dilbagi has developed a new technology called ‘TALK’, which is a cheap and portable device to help people who are physically incapable of speaking express themselves. Right now, 1.4 percent of the world’s population has very limited or no speech, due to conditions such as Amyotrophic lateral sclerosis (ALS), locked-in syndrome (LIS), Encephalopathy (SEM), Parkinson’s disease, and paralysis.

http://www.sciencealert.com.au/news/20141509-26176.html

His name is Arsh Shah Dilbagi and he’s 16 years old. Gettin tired of sensationalized “mystery baby from a country where people are brown does a science thing!” articles. Use peoples names, don’t act so surprised when people of color are geniuses.

Shared September 20 with 62,944 notes via mymindpalacedesign (Source) - reblog

# q


As a society, we are fascinated by fictional psychopaths. Humankind has an ‘ongoing… fascination with tales of gruesome murders and evil villain. Popular culture abounds with depictions of the mad and the bad; and aberrant psychology has proved a fertile source of such material to the novelist and the reader alike. Perhaps no single disorder holds as much morbid cultural appeal as psychopathy.

There is no question… that readers feel empathy with and sympathy for fictional characters and other aspects of fictional worlds’, yet it is difficult to see how one can empathise and identify with a character who is himself incapable of empathy. If empathy and identification are both the goal and the reward of reading literature, then we are left with a striking ambivalence which needs to be explored. 

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starcheckered:

fitzefitcher:

daggerpen:

monicalewinsky1996:

Trigger warning: Breakfast

Holy shit.

reasons why we don’t make fun of seemingly odd triggers

wow

Shared September 19 with 78,653 notes via journey-goddess (Source) - reblog



mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things — reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
9. Find a subject you care aboutand which you in your heart feel others should care about.
10. Do not ramble.
11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.
12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.
13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.
14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.
15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.
16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

9. Find a subject you care aboutand which you in your heart feel others should care about.

10. Do not ramble.

11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.

12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.

13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.

14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.

15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.

16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

Shared September 19 with 26,118 notes via queenamestris (Source) - reblog



themaefive:

axonsandsynapses:

yuletidekarkat:

dannygayhealani:

creatingaquietmind:

the speech impediment of the 21st century (by Marc Johns)

I’ll fuck you up buddy this is not a speech impediment it’s linguistic evolution!! the existence of the phrase “Aisha was like” allows the speaker to convey whatever Aisha said without making the listener assume they’re quoting Aisha directly while still maintaining the FEELING of what Aisha said.
ie, Aisha said she didn’t want to go out with me VERSUS Aisha was like, “I’d rather kiss a Wookie”.
the addition of “XYZ was like” lets the speaker be more expressive and efficient and it is a totally valid method of communicating information!!

With the way language has evolved, this is one of the few ways I can even think of to express in casual conversation what someone said. 
"So I said to Aisha," is certainly used, but if you remove the "so," which implies casual tone ("and" can be used in the same way), you get
"I said to Aisha," which is really formal in most English dialects/variations. I don’t know about all, but in New England dialects, you sound like you’re reading aloud from a novel.
"I told Aisha," is really only used when you continue to describe, not tell, what you told her. Ex: "I told Aisha that James was too punk for her" works while, "I told Aisha, ‘James is too punk for you’" crosses the line back into formalness of the "I said."
Things like “I asked” or “I answered [with]” are similar levels of casual and efficient to the “So, I said [or say, as many conversations about the past take place in present tense anyway, as if the speaker is giving a play-by-play in the moment]” but are specific to only certain situations. 
"I was like, 'Marc Johns, what is your obsession with restoring archaic speech patterns and interfering with the natural progression of English from complex to efficient?'" envelopes all of these easily and is accessible and crisp, and allows for more variations on inflection than the others.
Of course, James is probably like, “I already fucking said that.” But eh, I tried adding on.

#linguistics #a.k.a. how I learned to stop worrying and love the evolution of the English language without being a discriminatory elitist jerk (via crystalandrock)

This a million times

themaefive:

axonsandsynapses:

yuletidekarkat:

dannygayhealani:

creatingaquietmind:

the speech impediment of the 21st century (by Marc Johns)

I’ll fuck you up buddy this is not a speech impediment it’s linguistic evolution!! the existence of the phrase “Aisha was like” allows the speaker to convey whatever Aisha said without making the listener assume they’re quoting Aisha directly while still maintaining the FEELING of what Aisha said.

ie, Aisha said she didn’t want to go out with me VERSUS Aisha was like, “I’d rather kiss a Wookie”.

the addition of “XYZ was like” lets the speaker be more expressive and efficient and it is a totally valid method of communicating information!!

With the way language has evolved, this is one of the few ways I can even think of to express in casual conversation what someone said. 

"So I said to Aisha," is certainly used, but if you remove the "so," which implies casual tone ("and" can be used in the same way), you get

"I said to Aisha," which is really formal in most English dialects/variations. I don’t know about all, but in New England dialects, you sound like you’re reading aloud from a novel.

"I told Aisha," is really only used when you continue to describe, not tell, what you told her. Ex: "I told Aisha that James was too punk for her" works while, "I told Aisha, ‘James is too punk for you’" crosses the line back into formalness of the "I said."

Things like “I asked” or “I answered [with]” are similar levels of casual and efficient to the “So, I said [or say, as many conversations about the past take place in present tense anyway, as if the speaker is giving a play-by-play in the moment]” but are specific to only certain situations. 

"I was like, 'Marc Johns, what is your obsession with restoring archaic speech patterns and interfering with the natural progression of English from complex to efficient?'" envelopes all of these easily and is accessible and crisp, and allows for more variations on inflection than the others.

Of course, James is probably like, “I already fucking said that.” But eh, I tried adding on.

  (via crystalandrock)

This a million times

Shared September 17 with 88,331 notes via impossiblepenguins (Source) - reblog



So here’s my tip of font using in graphic design. I made this list of fonts I suggest to be used more often and fonts I suggest to be used less often. Especially from Helvetica to Gill Sans, they are really popular fonts to be used by professional designers. They all work finely whether in graphic design, web design or typography.

From Rockwell to Parisish, they are fonts to be used in typography or artworks, mostly for vintage style. They are probably not suitable in some formal occasions. But they will be your good choice when you want to make a fancy coffee shop banner.

You might be surprised that Arial and Times New Roman are in my less used list. But don’t stop using them in your homework and essay- well, now you probably understand why you shouldn’t put them in your graphic works.

The rest of the fonts are what I constantly see people using in their graphic works and I must say that even tho those fonts look cool and fancy, they actually don’t look as quality as you think.

BUT, that doesn’t mean you should delete these fonts from your computer (oh but delete Comic Sans for God’s sake) They can still be used for certain situation, as long as you handle them well. However, please never do something like using Colors of Autumn as the title and Typewriter as the concept, unless you’re trying to drive someone crazy.

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Everyone thinks of [fairy tales] in terms of poisoned apples and glass coffins, and forgets that they represent girls who walked into dark forests and remade them into their own reflections.
Shared September 16 with 19,029 notes via purpleasasin (Source) - reblog



aseaofquotes:

Kiersten White, The Chaos of Stars
Submitted by bonkersforpotter.

aseaofquotes:

Kiersten White, The Chaos of Stars

Submitted by bonkersforpotter.

Shared September 16 with 38,795 notes via aseaofquotes (Source) - reblog

# quotes # love


loodletooboodleroodlesoodle:

mangomartyr:

loodletooboodleroodlesoodle:

santullianal:

This honestly made me tear up. Imagining how great he must have felt that his planned worked and choosing that risk paid off.
I also feel like him and the model have such good chemistry, they’re always so kind and loving to one another.

Holy shit what did he do?? That’s rad as hell!

Since the runway was going to have simulated rain, he wanted to make the outfit become colorful because of it rather than deflect it. He sewed dye into the seams and once the rain hit it the dye ran! Very simple but super effective. He was one of the two winners of that challenge.

Absolutely brilliant. Holy shit.

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beniignus:

                        you can break my soul,
                        take my life away,
                        beat me,
                        hurt me,
                        kill me.

                                              but for the love of god
                                                         don’t touch him.

Shared September 11 with 21,089 notes via colinmorgasms (Source) - reblog

# poetry